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Oct 09 2012

Mutant Glory: The MONDO Moment (MONDO 2000 History Project Entry #33)

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While I mostly employ a playful, self-deprecating voice throughout the upcoming epic combined memoir and as-told-to history of MONDO 2000, I’ve been advised that — somewhere toward the beginning of the book — I should let people know just how brightly the MONDO star shined .  Here then is a segment from the chapter, “Mutant Glory: The MONDO Moment” from the upcoming book, Use Your Hallucinations: MONDO 2000 in Late 20th Century Cyberculture.  Some particularly strong parts are under embargo until publication, for a variety of reasons, so if it seems a bit discontinuous, that’s why.  

Still, pardon my ego, or use it as if it were your own.

I’m seated on the couch in the living room of the MONDO House, the neogothic aerie high (in every sense) in the Berkeley, California hills; my blue fedora with the Andy Warhol button rakishly titled to the right, a hint of my beyond-shoulder length hair swept across my right eye, femme fatale style.  It’s the same couch where, earlier this afternoon, Queen Mu had refused the Washington Post photographer’s suggestion that she and I pose John and Yoko style… naked… for the Post Arts & Leisure secton cover story about MONDO 2000.  

The editorial meeting was running longer than usual. Mu had held the floor for almost an hour with a monologue that veered from her recent argument with Doors keyboardist Ray Manzarek about Jim Morrison’s use of Tarantula Venom as an intoxicant — Morrison, in accordance with Mu’s gonzo anthropological researches, had joined a centuries-old secret brotherhood of poets and musicians in the use of this dangerous substance for Orphic inspirations; to the unending details of said tarantula venom theory; to the connections that simply must exist between our Mormon printers in Nevada and John Perry Barlow and the CIA and how they were all plotting to destroy us with a new magazine called Wired; and finally to the efficacy of writing after taking a few tokes of marijuana and then putting on Animals by Pink Floyd (to which our unofficial GenX spokesperson Andrew Hultkrans muttered, “Pink Floyd? It must be a generational thing.”).  When Mu was on one of her strange fantastic rambles she somehow didn’t seem to need to stop to breathe, so there was never an opportune moment to interrupt.  Finally, she decided she was thirsty and went into the kitchen to boil some tea.

The editorial pow wow had produced the usual stuff — good stuff, as a matter of fact.  An interview with early singularitarian Hans Moravec was in the works.  Some peculiar and obscure German industrial band/performance art group had contacted us looking for PR and this might pair up nicely with the Laibach interview that Mark Dippe and Kenneth Laddish had submitted.  Mad Lester Thompson had finally turned in a pretty good “Ultratech” column, rounding up of the latest in homebrew Virtual Reality and cheap digital video tech.  St. Jude told us her “Irresponsible Journalism” column titled “The Grace Jones School For Girls” was almost ready and asked if her interview with Mike Saenz about his porn CD ROM, Virtual Valerie, had been transcribed yet.  Our Art Director, Bart Nagel, as usual, said something that made everybody laugh.

Presently, Queen Mu returns to the living room with her cup of tea and our quiet, softspoken music editor Jas. Morgan pipes up.  “Liz Rosenberg says Madonna will review the new Papal Encyclical for us,” he understates. My famewhore eyes nearly pop out of my head.  “Be sure to follow up on that,” I say.  Everyone else feigns blasé.

This was the age — the heyday — of MONDO 2000. A shorter but far stranger trip, if you catch my drift.

You didn’t hear about it?  Well then, indulge me as I let some other voices tell you that I’m not hallucinating; not this time, anyway.  There was, in fact, a MONDO moment and it seemed somehow important to some interesting people.

There will be plenty of time for self-deprecations, stinging criticisms and embarrassing revelations later, when we return this epic true adventure story back to its beginnings and follow it through ‘til its mad finale.  But for this chapter, let’s bask in MONDO Mutant Glory.

Diana Trimble: You know how certain people, places or things can come to define an era?  The same way that clubbers d’un certain age speak wistfully of the “MK years” in New York City or “the Hacienda era” in Manchester; the same way you can’t talk about the art scene of the 1960s without talking about Warhol’s Factory? Well, that’s the way certain people who were in the Bay Area during the “MONDO days” feel about the house up on the mountain where madness met inspiration for a few remarkable years that directly influenced the development of popular culture on a global scale; a little-recognized fact for which proper credit to MONDO 2000 is long overdue.

It’s one of the best-kept secrets of postmodern history:  the Bay Area psychedelic revival and the explosion of computer science innovations of the late 1980s and early 90s were not only simultaneous and connected by geography but involved deeply interconnected personnel.

 

 

Rex Bruce: The MONDO scene was like the escape hatch out of the 80’s. While hanging onto the rebellious aspects of punk, it successfully retrieved some of the more colorful aspects of the sixties — the hippyish candy raver thing — along with a very thoughtful mingling of technology which had just gone exponential. 

It was the beginning of the period we are still in, pretty much. Nobody really knew what the web was back then or what enormous potential it held. People in the MONDO scene knew and were going at it full force. 

Emergent technology is still a huge area of cultural change. The cyberpunk people made it a movement and an identity — the scene grew to be a substantial part of a long history of bohemian culture that runs against the grain. This time it was armed with the internet, smart drugs, ubiquitous technology and the ubiquitous interface we still love and live in daily. It both began and predicted the times we live in. 

 

Douglas Rushkoff: The idea of having a scene… a place… I mean, oddly enough, MONDO was the last scene of the last era. It’s the last sort of Algonquin group or whatever.  I mean, physical reality isn’t what it used to be. Now you create a Facebook group to do what MONDO did. 

A physical scene… it’s so much more fertile. What I experienced more than anything else in that whole cultural milieu was: “Here are human bodies and human egos attempting to navigate this wholly discontinuous hypertext reality; trying to live in  — and with a full awareness of  — these liminal transition states.” And now, when we’re fully in the Internet era, it’s totally easy to do if you leave the body fucking behind. It’s totally easy to do if your friends are on Facebook and you’re just jerking off to their pictures or something. But try doing that for real. It’s that physical and psychic stress that someone like R.U. Sirius or Stara or Jody Radzik put themselves through… that’s when you gotta start worrying about things like gender and psychogenic dystonia [LAUGHTER]… just the basic… hold your fucking self together, man! [LAUGHTER] You don’t have casualties of the same sort in the Facebook era. It’s a different thing.  It’s bloodless. There’s no pubic hair in that reality. (Laughter).

 

Randy Stickrod: You had the feeling that the people who were creating this were tapped into some source that was outside of the range of the rest of us ordinary mortals. I’m serious, man! It was the real thing… the real fountainhead. 

 

William Gibson: MONDO was arguably the representative underground magazine of its pre-Web day. It was completely outside what commercial magazines were assumed to be about, but there it was, beside the commercial magazines. I was glad it was there. And then, winding up on the cover of Time — what does that do? How alternative is something that makes the cover of Time?  Could MONDO even happen today? 

 

Robert Phoenix: Around 1992 or ’93, MONDO was so on fire.  They’d been on the cover of Time and had a major feature in Newsweek.  Heide Foley was the poster child for the cybergrrl.  She was it!  Everybody was sniffing around MONDO. MTV was at MONDO. Apple Computers basically wanted to advertise in MONDO for life! It was a really, really, really big moment.  I’ll never forget walking around the floor of Macworld with copies of MONDO to hand out. It was like I was passing out the Holy Communion. It was like, “oh my God, oh… MONDO! Thank you!”

 

Josh Ellis: When I interviewed Neil Gaiman, he said something to me I’ve never forgotten: “MONDO 2000 was the coolest thing in the world for six months.” And it’s true, although I do think it was a little longer than that.

 

Hakim Bey: I can’t help thinking that the world, not just MONDO 2000, came to an end in around 1997. And we didn’t know it. And we’re living in the ruins.

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May 10 2012

FAIL! Debbie Does MONDO (MONDO 2000 History Project Entry #14)

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It was the Escape From New York tour with The Ramones, Blondie and Tom Tom Club. I was backstage at Berkeley’s Greek Theater with Bart Nagel interviewing Chris Franz and Tina Weymouth of Tom Tom Club and Talking Heads when Debbie Harry wandered in.   She came right up to me. “You’re the MONDO 2000 guy?”  “Yes.” She came up closer, lowered her voice to just above a whisper and asked, “Do you have any of those new drugs?”

Damn.  Not right now.  I offered to look into it for her the next day but she was otherwise occupied so my 30-second fantasy of doing 2cb or some other designer hallucinogen with Debbie Harry was nipped in the bud.  We exchanged contact info and I went back to the interview.  Meanwhile, Nagel got Debbie to pose for some photos.

 

During the process of prepping Mondo issue #3, we decided to do a section on “21st Century Fashion.”  Both Mu and I were fans of the look of those trendoid club culture magazines with a hint of surrealism like Wet and Fad and Impulse that were popular in the ‘80s and ‘90s.  We figured we could find a futurist SF twist on all that and not only would it look good but we could tap into a potentially rich vein for advertising revenues.  Man, did we ever wind up taking a ton of shit from (some of) the nerds and the righteous hippies and certain types of feminists for letting that bit into the mix.

Anyway, we somehow got Debbie to agree to be interviewed by phone on the topic of 21st Century Fashion.

Now, I’d read some pretty enjoyable Debbie Harry interviews. I mean, she wasn’t going to be Derrida or even Ted Nelson, but she could be pretty damned clever and epigrammatic in a sort of Warholish way.

This was not to be one of those instances. St. Jude’s daughter Tresca wanted in on the interview so she and Jude joined me at the MONDO house/office at the assigned time and we called Debbie.

As you’ll hear, she sounded vaguely drowsy and pretty much told us that she didn’t have anything to say about anything… particularly fashion.  Plus, she was having a difficult time hearing us… which will derail pretty much any exchange.  “This interview is gonna suck,” she told us

 

As anyone who has ever edited a magazine that has even a partial pop culture gloss will tell you, the planned celebrity interview that winds up being pretty vacant is a hazard of the game.  You have to somehow perform a save. You’ll find the few good lines and run them below some pictures; or maybe — if you’re daring — you’ll just turn the show over to the interviewer/author and have him/her cover the fail over with fancy bullshit or — if you don’t care about the celeb — with snark.  In any case, you’ll find some excuse to include the star’s name — maybe even her photograph — on your cover.

I liked Debbie Harry.  So I squeezed what I could from this uncomfortable exchange and later, Debbie agree to let me fax her a few more questions…  which bordered on aggressively obnoxious.  For example:

M2:  You have the opportunity to star in another Cronenberg film, but he wants you to have reversible plastic surgery on your internal organs. Would you rather:
A)    Have your stomach turned into a pollution-belching urban landscape?
B)    Have the collective information of all Haitian voodoo chiefs pass through your subconscious all at once via a microprocessor in the right brain.
C)    Have your cervix turned into a mongoose?
D)    Shoot R.U. Sirius for asking these questions?
E)    Act in Lassie Does Detox?
F)    Other?

DH:  B & D

But she wasn’t actually pissed and one day I returned to the office with a message that Debbie Harry had called and asked for me.  I called her back and I don’t remember what we talked about… and we never really talked again, but I’ll always treasure the brief interaction.

And now, because one should also show the warts sometimes, the uncomfortable and brief phone interview with Debbie Harry.

Listen to the audio now:

 

 

Previous MONDO History Entries

Psychedelic Transpersonal Photography, High Frontiers & MONDO 2000: an Interview with Marc Franklin

Gibson & Leary Audio (MONDO 2000 History Project)

Pariahs Made Me Do It: The Leary-Wilson-Warhol-Dali Influence (Mondo 2000 History Project Entry #3)

Robert Anton Wilson Talks To Reality Hackers Forum (1988 — Mondo 2000 History Project Entry #4)

Smart Drugs & Nutrients In 1991 (Mondo 2000 History Project Entry #5)

LSD, The CIA, & The Counterculture Of The 1960s: Martin Lee (1986, Audio. Mondo 2000 History Project Entry #6)

William Burroughs For R.U. Sirius’ New World Disorder (1990, Mondo 2000 History Project Entry # 7)

New Edge & Mondo: A Personal Perspective – Part 1 (Mondo 2000 History Project Entry #8)

New Edge & Mondo: A Personal Perspective – Part 2 (Mondo 2000 History Project Entry #8)

The Glorious Cyberpunk Handbook Tour (Mondo 2000 History Project Entry #9)

Did The CIA Kill JFK Over LSD?, Reproduced Authentic, & Two Heads Talking: David Byrne In Conversation With Timothy Leary (MONDO 2000 History Project Entry #10)

Memory & Identity In Relentlessly Fast Forward & Memetically Crowded Times (MONDO 2000 History Project Entry #11)

The First Virtual War & Other Smart Bombshells (MONDO 2000 History Project Entry #12)

Swashbuckling Around The World With Marvin Minsky In How To Mutate & Take Over The World (MONDO 2000 History Project #13)

 

 

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Feb 06 2012

Smart Drugs & Nutrients In 1991 (Mondo 2000 History Project Entry #5)

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By 1991, smart drugs and nutrients were all over the media with articles appearing in the New York Times and Vanity Fair; segments on network news shows both local and national and pitchmen-and-women going on afternoon talk shows to tout their efficacy (and, of course, Pearson and Shaw had been semi-regulars on The Mike Douglas Show for years).  Mondo was running at least one article an issue dedicated to the what, where and how of it… with only the addition of St. Jude’s column, “Irresponsible Journalism,” using irony to sound a slight note of skepticism.

I was using 4 Piracetam a day, washed down with a Choline Cooler and 4 cups of coffee a day.  Clearly, I liked feeling awake and the Piracetam worked for that purpose — until, after a couple of years, it started having the opposite effect.  As to whether I accumulated any generalized intelligence increase, well…  recalling some of my decisions during those times, I doubt it.

In some of my interviews for the M2k History Project, I ask people if Virtual Reality and Smart Drugs let us down… or did we let them down.  One interesting response came from Jim English, a Mondo 2000 friend involved — then and now — in the vitamin and nutrient business: “I think that the us part that failed were that we are a nation of fads. And smart drugs and smart drinks were a big fad, and everyone wanted to go, ‘Oh, I had the smart drink. I had the… I had the Ginko a Go-Go with the such-and-such. I had the oxygen cocktail. I had this…’ And people embraced the stuff, and then I think as soon as it started to become a commercial product — you started to see stuff showing up on shelves, I think you saw a concomitant backlash, which was, ‘Well, it’s not really making me smarter. I can dance harder, but, you know, I’m just as exhausted the next day.’ I think the expectations kind of combined with the sense to  be the first to adopt something, and the first to reject something. That’s how you keep your credibility. You know? ‘Well, I’m beyond that.’

“The hipster crowd backed away. ‘I’m into smart drinks. Oh, now I’m into deprynil. Now I’m into heroin.’ You know, you need to keep moving the bar forward or you lose your credibility. And I think a lot of people that I worked with kind of did that.”

Despite the fact that Smart Drugs were a big thing, I was surprised — while checking out an old 1991 discussion in the Mondo conference on The Well — to discover dozens of participants (and most of them professional types not “hippies,” mind you) waxing enthusiastically about trying them out.

Presented below are just some brief entries from that much longer conversation about Smart Drugs and Nutrients— some of them chosen not so much because they are representative, but because they are kind of amusing.  Btw, the discussion below is uncorrected.  People were much less dickish back then about things like misspelled words, so don’t blame the contributors below if it bothers you.  Blame yourself.

mondo.old 15: Experiences with “Smart Drugs” and Nutrients

#0 of 633: Gary Wolf (gwolf) Wed 01 May 1991 (09:15 PM)

I am writing a magazine story on “smart drugs,” including Hydergine,Piracetam,Choline, Vasopressin, and various nutrients and amino acids.  Any experiences you would like to share for publication?

mondo.old 15: Experiences with “Smart Drugs” and Nutrients

#1 of 633: Gary Wolf (gwolf) Wed 01 May 1991 (09:26 PM)

Yesterday, I drank a packet of Dirk and Sandy’s *Focus* plus a packet of *Go For It*.  This translates into a big dose of choline and Phenylalanine, plus cofactors.  I felt a big lift and worked for many more hours than usual.

Today, I spoke with a nutritionist at UCSF who assured me that no scientific evidence exists linking amino acids to psychoactive effects.  I also read several scientific papers asserting that the effects of nootropics such as piracetam have not yet been conclusively demonstrated.  Am I experiencing a placebo effect?  Also, I recently went to a party where various smart drugs were served to a hip, young, club-hopping crowd.  I wonder if these mild forms of recreational pharmaceuticals will capture their interest.  Tonight, I drank a packet of Dirk and Sandy’s *Be Your Best*, which contains arginine, and then went to the gym and played two hours of basketball.  I didn’t notice much of an effect.  Perhaps a little extra perspiration.  I also have ten piracetam tablets hanging around and am waiting for an appropriate moment to take them. I understand that they should be followed up with regular doses.  Comments?

mondo.old 15: Experiences with “Smart Drugs” and Nutrients

#4 of 633: Gary Wolf (gwolf) Thu 02 May 1991 (10:07 AM)

My understanding is that Dirk and Sandy license their name to a variety of retail companies.  *Focus* appears to be identical to *Memory Fuel* and *Go For it* is similar to *Rise and Shine*  I have noticed no effects on my libido.  I have noticed an appetite suppressing effect.  I only at one small meal yesterday, which is highly unusual.  This morning I am drinking *Rise and Shine* and *Memory Fuel.*  The experiment continues…

mondo.old 15: Experiences with “Smart Drugs” and Nutrients

#5 of 633: Mondo 2000 (rusirius) Thu 02 May 1991 (12:12 PM)

Nootropil/Piracetam works works WORKS!!!  Order it from  InHome Health Services  Box 3112  2800 Delemont  Switzerland.

Tell the nutritionist over at UCSF that, unless your dead, EVERYTHING IS PSYCHOACTIVE!!!

mondo.old 15: Experiences with “Smart Drugs” and Nutrients

#8 of 633: Gary Wolf (gwolf) Fri 03 May 1991 (01:41 PM)

.. the story is for Rolling Stone.  I would still love to hear about any experiences with smart drugs.  I suspect that there are some dedicated users out there.  The scientific evidence I have read so far seems inconclusive.  Piracetam and Hydergine definately have some effect, but the exact mechanisms are unknown and the effects vary from person to person.  Some feel nothing, some are blown away.

mondo.old 15: Experiences with “Smart Drugs” and Nutrients

#13 of 633: Mondo 2000 (rusirius) Sat 04 May 1991 (11:29 PM)

The measurement for intelligence is slippery, memory less slippery but a little wavy nonetheless.  I know pyschoactivity when I experience it though.  Can’t testify to the long term effects of this stuff though.

Smart Drugs are about to get alot of media-this year’s “virtual reality”.  & I think that smart drugs will come closer to living up to the promise & the hype, particularly if people go for Piracetan.  Remember LSD.  Chemistry is a most awesome kind of technology…

mondo.old 15: Experiences with “Smart Drugs” and Nutrients

#14 of 633: Gary Wolf (gwolf) Sun 05 May 1991 (10:34 PM)

I just spent a day in Santa Cruz with John Morgenthaller, who very generously went through his files with me and pulled some of the papers cited in his book.

We picked up three college-age hitchhikers in Santa Cruz today.  All were clean cut students who used recreational drugs regularly– the war on drugs hasn’t done so good down there

I guess.  We asked if they would be interested in smart drugs.  All of them said they wouldn’t take them without a recommendation from a friend.  An anecdote, in other words.  It’s not scientific, but its how we decide.

I also did Vasopressin for the first time today.  It had a definate, but subtle, effect.  My dose was fairly small.  I suspect this is going to be one of the popular ones.

mondo.old 15: Experiences with “Smart Drugs” and Nutrient

#mondo.old 15: Experiences with “Smart Drugs” and Nutrients

#46 of 633: Gary Wolf (gwolf) Thu 06 Jun 1991 (10:47 AM)

Question: How does Vasopressin work.  I had the pleasure of four big squirts courtesy of R.U. and now I’m curious.  It was a very pleasant experience.  I know it’s a synthetic pituitary hormone, but why should that make me happy?

mondo.old 15: Experiences with “Smart Drugs” and Nutrients

#77 of 633: Flem (flem) Sun 13 Oct 1991 (06:57 PM)

I bought some Vasopressin from Interlab.  It works best for me when I am burnt out.  It doesn’t do anything if I’m already alert.  It burns my nostrils and smells like burnt matches.  I can’t wait to get more.

mondo.old 15: Experiences with “Smart Drugs” and Nutrients

#108 of 633: Judith Milhon (stjude) Wed 22 Jan 1992 (11:27 PM)

i keep asking myself, is dilanting making me more creative, or is it just my imagination? why are all you non-epileptics doing dilantin? i have my own ideas on this, but the literature is so VAGUE. anecdotes are sweet, but can anybody sum up their experiences in the abstract, so i can understand them?

I think that dilantin focusses my attention while maintaining the latitutde and depth of that attention, unlike most stimulants.

I think that dilantin gives me an emotional detachment from tasks and events. hoop-la: it’s not an anti-depressant, but an anti-neurotic.

Anybody have any ideas on this?

http://en.wikipedia.org/wiki/Piracetam

After much talk about the Placebo effect, I lashed out…

mondo.old 15: Experiences with “Smart Drugs” and Nutrients

#113 of 633: Mondo 2000 (rusirius) Tue 28 Jan 1992 (12:14 PM)

I’ll repeat myself again.  I’ve been taking drugs *seriously* for 25 years now and I know how to tell genuine psychoactive effects from wishful thinking.

See back when I bought that clump of rat shit in the park in Cambridge in ’68 we didn’t know from a placebo effect.  We called it “getting burned.”  I’m not a mark, I’m extremely skeptical and I find this no-nothing dismissiveness … well, exactly what it is.

mondo.old 15: Experiences with “Smart Drugs” and Nutrients

#114 of 633: Eugene Schoenfeld (genial) Tue 28 Jan 1992 (03:06 PM)

Ken with drugs like cocaine, LSD, amphetamines, DMT, even caffeine, the effects are so distinct that virtually all users note the effect. Among the so-called “smart” drugs, only vassopressin and the ephedrine(or other caffeine-like compounds) consistently produce notable effects, according to reports posted here on the Well(except for your reports).

I know you are aware that anecdotal reports are suspect because they don’t eliminate the placebo effect. That’s why scientifically valid studies are useful. Also, when one has a vested interest in a product, judgement is affected. Another reason for impartial trials.

So, what is the evidence that “smart” drugs have an effect, apart from the stimulants? You FEEL that they do? Come on, Ken, you’re smarter than that.

mondo.old 15: Experiences with “Smart Drugs” and Nutrients

#283 of 633: magdalen (mdln) Thu 23 Jul 1992 (10:43 PM)

I think I fall into the ‘smart drugs, dumb users’ category, myself… my experimentation has been quite limited and very random.  The interesting thing about this approach is that it’s much like a double-blind test.  I ws taking L-Phenyalanine without much of an idea of what it was supposed to DO; it just seemed like some generic smart drug to try.

I turned into a raving, seething, foaming at the mouth bitch for about five days before I connected my moods to the L-pheny.  I haven’t taken it since, though I have found that L-Cysteine is a pleasing accompaniment to long evenings of hardcore partying (like I said, I’m a dumb user), and it’s nice to take some the morning after as well with my first cup of coffee.

mondo.old 15: Experiences with “Smart Drugs” and Nutrients

# 285 of 633: Mondo 2000 (rusirius) Fri 24 Jul 1992 (10:53 AM)

I *like* raving, seething, foaming  at the mouth bitches.

 

This being Mondo, the talk turns naturally to LSD

 

mondo.old 15: Experiences with “Smart Drugs” and Nutrients

# 423 of 633: Mondo 2000 (rusirius) Tue 01 Dec 1992 (02:02 AM)

A friend of mine took 1/4 hit ie 25 mics a day for awhile and found it useful.  After about a month though everything started to seem too… um *significant* and he stopped.

mondo.old 15: Experiences with “Smart Drugs” and Nutrients

#437 of 633: magdalen (mdln)  Fri 04 Dec 1992 (01:08 PM)

I used LSD as a study aid through my last two years of high school, and found it to be quite effective and, much more importantly, entertaining in that role.  I’d do 1/4 to 2/3 blotter hits as a ‘pick-me-up’ and then wander off to English class, or say write a six-page essay on _Heart of Darkness_ on a full hit.  Admittedly, this was public high school and I probably could’ve passed the courses by turning in fingerpaintings, but I found LSD to be most compatible with Humanities work.

I’ve also been known to use the sub-tripping acid technique in theatre rehearsals, both as an actor and as a director, with absolutely wonderful results.

Problems only arose when I’d try this with a batch I hadn’t yet sampled.  I remember taking the tiniest sliver of a hit to get me through an all-night pasteup session when I was editor of my school paper.  Around midnight, the editor starts fully tripping!  Yikes!  The staff was staring at me as I spent fifteen minutes absorbed in playing with a roll of Zip-o-Line…

thanks to Gary Wolf and Eugene Schoenfeld for permission to use their words and to two other friends for permission to use their words as well.

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